A video installation.
a figure of a man moves back and forth, disassembles than regrouped, until it becomes
merely an exposed and bleeding human flash.
the Sisyphic monotonous character of the work and the fact that its build as a loop only
emphasises the constant search after the very essence of manhood that holds within itself
the traditional motives of responsibility, routine and quiet desperation.
The basic discomfort that comes out of the work gives a sense of burden that one cannot
escape.
The Polaroids - that are hanged on the wall besides the old TV set from which the video is
screened - are taken from the video, and are the outcome of the desire to get the digital
world back into analog, to represent yet another stage of death.
State Of Mater was presented as a solo exhibition at Contemporary gallery in Tel Aviv in
2010
|